The Atlantic

Today, The Atlantic released a trailer announcing Holy Week, a new narrative podcast hosted and reported by senior editor Vann R. Newkirk II. All episodes of the podcast will be available on March 14; listen to the trailer and subscribe now here. Holy Week marks a return to narrative podcasts for The Atlantic following its Peabody-winning Floodlines in 2020, which was also hosted by Newkirk and was widely hailed as one of the year’s best podcasts.

Evan McMurry is joining the staff of The Atlantic later this month, where he will be a senior editor leading audience strategy and overseeing the magazine’s audience team. He comes to The Atlantic from ABC News, where he ran social strategy across the network’s accounts, and has previously worked as a political blogger and an editor.

The first three books are publishing today from Atlantic Editions, a first-of-its-kind book imprint launched as a partnership between The Atlantic and the independent publisher Zando, with titles from staff writers Megan Garber and Sophie Gilbert (a finalist for the 2022 Pulitzer Prize in Criticism) and senior editor Lenika Cruz. This new line of paperback books features definitive essays by Atlantic authors; each is themed on a single consequential topic.

Xochitl Gonzalez is joining The Atlantic’s editorial team as a staff writer, having contributed to the magazine this past year through her subscriber newsletter, Brooklyn, Everywhere. In her newsletter, which she’ll continue as a staff writer, Xochitl reflects on the many meanings of gentrification and what we stand to lose in our relentless pursuit of the American dream.

Yasmin Tayag will join The Atlantic’s editorial team this month, when she will become a staff writer. Over the past year, in her work as a freelancer, Yasmin has contributed extensively to The Atlantic, including a number of pandemic-related pieces where she reported on the effects of Americans’ low booster numbers, how we can’t quit hygiene theater, and whether we should be masking again.

And just like that, with the passing of Labor Day, fall was upon us. Seemingly overnight, six-packs of pumpkin beer materialized on grocery shelves, hordes of city dwellers descended upon apple orchards—and America rolled out new COVID boosters. The timing wasn’t a coincidence. Since the beginning of the pandemic, cases in North America and Europe have risen during the fall and winter, and there was no reason to expect anything different this year.

The Atlantic has released its 2022 Report on Diversity and Inclusion, an annual report that shows gender and race metrics across the company, based on self-reporting by employees. The data represent the composition of The Atlantic’s staff as of June 30, 2022. We have committed to running and releasing this report annually.

The Atlantic’s groundbreaking and prescient editorial series “Shadowland”––which reported on the increasing hold that conspiracy theories have over Americans and the threats they pose to democracy––has inspired a documentary series of the same name that will premiere on Peacock next month.Peacock announced today that the six-part docuseries Shadowland will premiere Wednesday, September 21, with all six episodes available to watch immediately.

In an extensive investigation that is the cover story of The Atlantic’s September 2022 issue, staff writer Caitlin Dickerson provides the definitive account of the Trump administration’s family-separation policy, called Zero Tolerance: She lays out in painstaking detail one of the darkest chapters in recent U.S.

The Atlantic’s executive editor, Adrienne LaFrance, discusses a post-Roe America with two contributing writers. The legal historian Mary Ziegler and the constitutional-law scholar David French answer questions about what happens now that Roe v. Wade has been overturned.

The ACLU Has Lost Its Way“The ACLU now seems largely unable or unwilling to uphold its core values,” wrote Lara Bazelon earlier this month, arguing that the civil-liberties organization has neglected its central purpose of defending freedom of speech without partisanship in favor of a broad embrace of progressive causes.Lara Bazelon accuses the American Civil Liberties Union of having lost its way. We have not.

The Atlantic, a literary destination since its founding 165 years ago as a magazine of “Literature, Art, and Politics,” is today unveiling a dramatically expanded Books section devoted to essays, criticism, reporting, original fiction, poetry, and book recommendations, and announcing a first-of-its-kind book imprint called Atlantic Editions in partnership with the independent publisher Zando.

Last fall, having heard that Joan Didion’s health was in decline, The Atlantic’s staff writer Caitlin Flanagan got in her car and started driving across California. “I wanted to feel close to the girl who came from Nowhere, California (have you ever been to Sacramento?), and blasted herself into the center of everything.

A forest grows in downtown Los Angeles. Opening today with a limited run through summer 2022, A Forest for the Trees is an immersive art show created and directed by visionary artist Glenn Kaino, together with The Atlantic and Superblue, that is designed to inspire audiences to reimagine their relationship with the natural world.A Forest for the Trees is open to all ages, and tickets are on sale now. Press should inquire about opportunities to tour the show.

The Atlantic is following the launch of its How to Build a Happy Life podcast, hosted by the renowned social scientist Arthur C. Brooks, with a second season about navigating the challenges of changing your life. In How to Start Over, Atlantic staff writer Olga Khazan analyzes what it takes to change our relationships, our work, and our perspective—with a practical approach to one of life’s greatest mysteries: how to reinvent ourselves.

The Atlantic staff writer Jennifer Senior has won the 2022 Pulitzer Prize for Feature Writing. She was awarded journalism’s top honor for her remarkable September 2021 cover story, “What Bobby McIlvaine Left Behind,” which looked at one family’s heartbreaking loss in the 9/11 attacks and their struggle to move on. This is The Atlantic’s second Pulitzer Prize, following Ed Yong’s 2021 Pulitzer for his reporting on the coronavirus pandemic.

The Atlantic, artist Glenn Kaino, and Superblue announce today the debut of A Forest for the Trees, an ambitious immersive show created and directed by visionary artist Glenn Kaino that is designed to inspire audiences to reimagine their relationship with the natural world.

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Listen and subscribe to Radio Atlantic: Apple Podcasts | Spotify | Stitcher After years of threats, Russian forces invaded Ukraine—culminating in the largest attack against one European state by another since the Second World War. Global leaders, including U.S. President Joe Biden, widely condemned Russia’s actions and announced unprecedented sanctions aimed at a number of the country’s financial institutions and the Russian elite.

With democracies across the globe under assault, and as the world turns its attention to Russia’s war on Ukraine, the University of Chicago Institute of Politics and The Atlantic announced today that they will jointly host Disinformation and the Erosion of Democracy, a three-day conference exploring the organized spread of disinformation and strategies to respond to it.

As The Atlantic continues its editorial focus on exposing the crisis facing democracy and the rise of global authoritarianism, today the editors announced that the Nobel Peace Prize recipient Maria Ressa is joining the magazine as a contributing writer. Read more in a note to staff from editor in chief Jeffrey Goldberg, executive editor Adrienne LaFrance, and editorial director Denise Wills.

Jerusalem Demsas will join The Atlantic’s editorial staff next month, when she will become a staff writer. Jerusalem is currently at Vox, where she has written extensively on America’s housing crisis and co-hosts The Weeds podcast.“Jerusalem is a force. She is extremely smart, creative, curious, and naturally drawn to counterintuitive ideas and arguments.

Laura Bennett is joining the staff of The Atlantic later this month, where she will be a senior editor focusing on The Atlantic’s most ambitious feature writing. She is currently Slate’s editorial director, and was previously the culture editor at Salon and a staff writer for The New Republic.“Laura is an immensely talented and creative editor, with an infectious enthusiasm for magazine journalism.

National political reporter Elaina Plott, who covered the Trump presidency for The Atlantic in 2018 and 2019, is rejoining The Atlantic. Elaina will become a staff writer this summer; she currently covers politics in Washington for The New York Times.“Elaina is one of the finest young magazine journalists in America. We are delighted to welcome her back to The Atlantic,” said Jeffrey Goldberg, The Atlantic’s editor in chief.

In a moment when happiness has felt elusive for many, The Atlantic is giving readers the framework to orient themselves toward joy and build a more meaningful life with its March issue, themed “How to Find Happiness,” and the launch of an immersive, two-and-a-half-day event to be held this spring. The event, titled In Pursuit of Happiness, will be held from May 1-3 in Half Moon Bay, California. Ticketing is now open for a limited in-person audience.

Today Atlantic Brand Partners, The Atlantic’s business services group, is releasing Forces of Influence 2.0, a study into how ongoing cultural unpredictability is affecting consumer perspectives. Most surprising for business leaders: despite industry-wide emphasis to address individual consumer needs, there is still a vast gulf between what consumers expect from brands and their perceived realities.

The Atlantic is launching Famous People, a newsletter by staff writer Kaitlyn Tiffany and writer and creative strategist Lizzie Plaugic. Kaitlyn and Lizzie recap the small parties, dinners, and events they attend with each other and their friends––and nobody famous.Starting today, readers can sign up and read the first edition, where Kaitlyn follows Martha Stewart’s instructions to create a “Russian Buffet for Twenty-Four” from her 1982 book, Entertaining.

The Atlantic is welcoming three new editors to the Culture team as it begins an expansion of Books coverage. Joining The Atlantic are Gal Beckerman as senior editor for Books, coming from The New York Times Book Review; Maya Chung as an associate editor, most recently with The New York Review of Books; and Emma Sarappo as an associate editor, previously the arts editor at Washington City Paper.