Guillermo del Toro has always had a special fondness for misfits and monsters. His Hellboy films made superheroes out of paranormal beings, while his most recent Oscar-winning film, The Shape of Water, spun a tender romance between a mute woman and an amphibious fish-man. That the writer-director would take on Nightmare Alley next makes sense. The melancholic thriller about a carnival con man is based on a novel by William Lindsay Gresham that was adapted for the big screen once before, in 1947.

My first sight of it came one morning in June, as I rode the ferry through the Bosporus strait: a toxic glint on the sea’s surface. I initially thought it was oil, spilled from one of the many large container ships that pass through Istanbul via the Bosporus. Yet as we neared the glint, a sallow sludge marbled the water around the boat. In some areas, it was as thick and buoyant as fiberglass insulation.

The day the World Health Organization labeled Omicron a “variant of concern” felt as heavy as any since the pandemic had begun, and I was listening to Pee-wee Herman crack bad jokes with a talking chair. For one night, his puppet friends from Pee-wee’s Playhouse, the hit children’s TV show from the ’80s, had reunited on the radio for an hour of banter and old soul records.

What do we mean, exactly, when we refer to a piece of technology? The answer will help determine whether the United States can maintain its technological superiority over China. Technology takes three distinct forms. It’s an embodied tool, like the pots, pans, or oven in a kitchen. It’s written instruction, like patents, blueprints, or a cake recipe. And it’s process knowledge—the irreplaceable, hard-won practical experience that’s too difficult to write down.

Sign up for Conor’s newsletter here.Earlier this week, I highlighted a debate about the merits of the Slow Food movement and asked readers to share any contested opinion about food or foodstuffs that they happen to hold.Some correspondents took aim at particular foods. “Green beans are chalky garbage,” Molly asserted, “and no, I don’t think that just because I haven’t had them the way you prepare them.

The finale for HBO’s third season of Succession opens with a family session of Monopoly, a game that offers the perfect summary of the show: Players fight to be the last one standing—trading advantages and risking jail—going around the board over and over without a clear end in sight.

Phylis Mitchell is a woman who is transformed, through the magic of the holidays, into a drill sergeant. Early on in The Christmas House, an already classic Hallmark rom-com, she enlists her husband and two adult sons in her mission to revive an old family tradition: creating the aggressively festive home that gives the movie its title. Phylis (played by Sharon Lawrence) devotes herself to the cause with comic zeal.

Updated at 12:00 p.m. ET on December 17, 2021A lot has changed for Omicron in just two weeks. At December’s onset, the variant was barely present in Europe, showing up in 1 to 2 percent of COVID cases. Now it’s accounting for 72 percent of new cases in London, where everybody seems to know somebody with COVID. In the U.K. and Denmark, Omicron case numbers are doubling every other day.