This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.
Republicans need to recover their senses about the dire moral and strategic tests Ukraine and the West face in Europe.
First, here are three new stories from The Atlantic:
The nonsensical impeachment of Alejandro Mayorkas
“What I found in San Francisco”
Chicken Littles are ruining America.

Welcome to Up for Debate. Each week, Conor Friedersdorf rounds up timely conversations and solicits reader responses to one thought-provoking question. Later, he publishes some thoughtful replies. Sign up for the newsletter here.
Last week, I asked readers, “What is the state of local journalism where you live, and how does it affect your community?”
Replies have been edited for length and clarity.

When Donald Trump was impeached, and then impeached again, some Republicans warned that repeated uses of the process would lead to it being degraded and meaningless. House Republicans are now determined to prove that was true.
Early this morning, the House Homeland Security Committee narrowly voted, along party lines, to advance articles of impeachment against Alejandro Mayorkas, the secretary of homeland security. The full body is expected to consider the impeachment next week.

There’s something fundamentally excessive about winter sports. Instead of curling up with a book or Netflix when the weather turns cold, winter athletes wrestle with inordinate layers and high-tech gear just to make it through the day without frostbite. They sprint across ice with knives strapped to their feet and hurtle down mountains at speeds generally reserved for interstate highways. They fall off ski lifts—or are trapped overnight in them.

I have to give some credit to Matthew Vaughn’s new film, Argylle, for one thing: It is not—repeat, not—based on anything. An action movie with a reported near–$200 million budget and no connection to any preexisting intellectual property should be thrilling, a glorious throwback to the days when big films could just be about people punching and shooting each other without referencing some other storytelling universe.

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.
One by one, most of the major streaming services have introduced ads to their subscription offerings. Now consumers face a choice: Pay up, or sit through commercial breaks like it’s 1999.

The stories are hauntingly similar: A teenager, their whole life ahead of them, buys a pill from someone on Snapchat. They think it’s OxyContin or Percocet, but it actually contains a lethal amount of fentanyl. They take it; they die. Their bereaved parents are left grasping for an explanation.
A 2021 NBC News investigation found more than a dozen such cases across the country.

Iran and the United States have been in a shadow war with each other for years. That the conflict has never spilled into all-out war is only because both countries have kept to certain unwritten red lines and rules of engagement. One such rule, rarely broken in recent years, is: Thou Shall Not Kill an American Soldier. Even in January 2020, when a U.S. strike killed Qassem Soleimani, Iran’s most important military figure, the Iranian response didn’t lead to a single U.S. fatality.

Updated at 7:33 p.m. ET on January 30, 2024
Just about everyone in America seems to be angry at higher education. Congress is angry. State governments are angry. Donors are angry. Parents are angry because schools are so expensive, and students are angry because they aren’t getting what they paid for. Just 36 percent of Americans now tell pollsters that they have significant confidence in higher education, down from 57 percent less than a decade ago.

Earlier this month, I watched what will probably be the strangest movie I see all year. Sasquatch Sunset is an absurdist film chronicling the lives of four Bigfoots (Bigfeet?). The cast, which includes Riley Keough and Jesse Eisenberg, donned heavy prosthetics, layers of makeup, and furry costumes to play the titular mythical creatures. The script is devoid of dialogue.