This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.Like millions of other Americans, I enjoy many of Sylvester Stallone’s movies. But in recent years, I’ve come to think that Sly might have also been teaching me something.First, here are four new stories from The Atlantic.
Streaming has reached its sad, predictable fate.

The first question plaguing omnivorous, content-hungry humans with a spare hour or two is this: What should I watch? In recent years, a second question has come to dominate our evening streaming rituals: How do I watch it? Drenching your eyeballs in sweet television can be surprisingly tricky, requiring some amount of research to determine which streaming platform has whatever you want to watch and, crucially, whether you pay for it already.

Over the past few days, hundreds of thousands of posts on X, the platform formerly known as Twitter, have lambasted a Jewish organization that many people are only vaguely aware of: the Anti-Defamation League.

Have you ever loved a song without knowing what it means? That rarely happens when I listen to Olivia Rodrigo. The 20-year-old pop star has conquered the world by singing about unruly emotions with the precision of a court reporter. The songs on her new album, Guts, offer tidy thesis statements about the nature of heartbreak, declaring, “Love’s embarrassing” (on “Love Is Embarrassing”) or “Love is never logical” (on “Logical”).

This is an edition of the revamped Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here.Sylvia Plath lived only to the age of 30—this year marks the 60th anniversary of her death. When you consider all that has been written about her, and the writers still thinking of her, the shortness of her existence is shocking.