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In this episode of Galaxy Brain, Charlie Warzel talks with the business writer Ed Elson about the rise of the “clip economy”—the idea that short video clips pulled from podcasts, livestreams, and other long-form content have become the dominant unit of online media, not just a promotional tool.
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In this episode of Galaxy Brain, Charlie Warzel speaks with Josh Owens, a videographer and the author of a memoir about his years working for Infowars, the media company of the conspiracy theorist Alex Jones. Owens traces his journey from a film-school student who stumbled onto Jones’s radio show to an insider who spent four years filming, editing, and traveling for the organization.
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On this week’s Galaxy Brain episode, Charlie Warzel is joined by New York Times technology reporter Tiffany Hsu to discuss the rise of AI influencers—synthetic avatars, often indistinguishable from real people, that are flooding social-media feeds to sell supplements and promote brands. Hsu unpacks her reporting on the combination of forces converging around it, including the wellness industry, a historically fertile ground for scammers.
Seeing the Earth from space will change you so profoundly that there’s a term for it: the overview effect. The extreme minority who have had the privilege describe it similarly. You see something that you were never meant to see, namely the Earth just sitting there, with the entire universe surrounding it.
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What is Twitter’s legacy? In this episode of Galaxy Brain, Charlie Warzel traces how Twitter, now called X, evolved from a status-update tool to one of the most culturally and politically influential—and contentious—platforms of the modern internet. Charlie is joined by early Twitter executive Jason Goldman.
On March 10, the journalist Emanuel Fabian reported on a missile that had been launched from Iran. The warhead hit an open area outside Jerusalem, which Fabian confirmed by speaking with rescue services and reviewing footage of the explosion. He wrote a short post on The Times of Israel’s live blog and moved on.
Meanwhile, gamblers had wagered millions on the unfolding events of the conflict.
Chances are, you’ve seen Richard Tsong-Taatarii’s photo. Taken Wednesday in Minneapolis, it shows an unidentifiable protester face down on the ground; two Border Patrol agents are on top of him, holding him there, while a third unloads pepper spray into his face from just inches away.
Tomorrow’s front page of the Minnesota Star Tribune: Jan. 23, 2026
[image or embed]
— Minnesota Star Tribune (@startribune.
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In this episode of Galaxy Brain, Charlie Warzel confronts the growing crisis around AI-generated sexual abuse and the culture of impunity enabling it. He examines how Elon Musk’s chatbot Grok is being used to create and circulate nonconsensual sexualized images often targeting women.
Will Elon Musk face any consequences for his despicable sexual-harassment bot?
For more than a week, beginning late last month, anyone could go online and use a tool owned and promoted by the world’s richest man to modify a picture of basically any person, even a child, and undress them. This was not some deepfake nudify app that you had to pay to download on a shady backwater website or a dark-web message board.
This weekend’s attack on Venezuela produced plenty of indelible images. The one burned into my brain was shared by President Donald Trump on Truth Social. Defense Secretary Pete Hegseth is sitting in front of a laptop at a makeshift command center in Mar-a-Lago. He’s monitoring the raid with a grave expression on his face, eyes intently focused on something out of frame.
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Are your parents addicted to their phone? In this episode of Galaxy Brain, Charlie Warzel explores how technology is affecting an older generation of adults. Instead of a phone-based childhood, Warzel suggests, we may be witnessing the emergence of a phone-based retirement—one shaped by isolation, algorithmic feeds, and platforms never designed with aging users in mind.
This particularly cursed holiday week kicked off in earnest last night when my father turned his iPad in my direction. On its screen was a terribly disturbing post on X containing two images. In the first, Jeffrey Epstein was hugging and kissing a little girl. In the second, that girl was bound and gagged on a bed.
Dad was rightly outraged and disgusted. He asked me if I’d seen the photos in my time going through the Epstein files.
A friend of mine had just traveled across the country to see his family when he texted me, deeply concerned. The chaos of holiday travel is always a drag, but usually, it was offset by getting a break and watching his kids spend quality time with their grandparents. But this year was different, he said: “They were just absorbed in their phones a lot of the time, and distant.” He wasn’t talking about the kids, but the grandparents.
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Late on the Friday before Christmas, just hours before a deadline mandated by Congress, the Department of Justice released part of the trove of documents known colloquially as the Epstein files. The contents are, at different times, unnerving, enraging, banal, and heavily redacted.
At The Atlantic, we’ve been up, poring over the documents to contextualize what they mean.
Updated at 12:40 a.m. on December 20, 2025
Late on the Friday afternoon before Christmas, and just hours before a deadline mandated by Congress, the Department of Justice released part of the trove of documents known, colloquially, as the Epstein files. The contents, most of which I’ve reviewed, are, at different times, unnerving, enraging, banal, even absurd (in the case of a photo of Jeffrey Epstein posing with a giant Winnie the Pooh mascot).
It’s rude to boast, but here in 2025, you’ve got to take the wins where you can get them. This morning, Time magazine announced its Person of the Year, and it’s me. It’s you too.
If you want to get all technical about it, Time’s Person of the Year is actually not a person at all but a collection of people: the architects of AI.
This story is part of a series marking ChatGPT’s third anniversary. Read Ian Bogost on how ChatGPT broke reality, or browse more AI coverage from The Atlantic.
On this day three years ago, OpenAI released what it referred to internally as a “low-key research preview.” This preview was so low-key that, inside OpenAI, staff were instructed not to frame it as a product launch.
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In this episode of Galaxy Brain, Charlie Warzel sits down with Eliot Higgins, founder of the open-source investigative collective Bellingcat, to examine how our public sphere slid from healthy debate into what Higgins calls “disordered discourse.” Higgins is an early internet native who taught himself geolocation during the Arab Spring and later built Bellingcat’s global community.
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In this episode of Galaxy Brain, Charlie Warzel sits down with Eliot Higgins, founder of the open-source investigative collective Bellingcat, to examine how our public sphere slid from healthy debate into what Higgins calls “disordered discourse.” Higgins is an early internet native who taught himself geolocation during the Arab Spring and later built Bellingcat’s global community.
Over the weekend, Elon Musk’s X rolled out a feature that had the immediate result of sowing maximum chaos. The update, called “About This Account,” allows people to click on the profile of an X user and see such information as: which country the account was created in, where its user is currently based, and how many times the username has been changed. Nikita Bier, X’s head of product, said the feature was “an important first step to securing the integrity of the global town square.
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In this inaugural episode of Galaxy Brain, Charlie Warzel examines the state of the internet as it stands now in November 2025 with Hank Green, a true citizen of the internet—somebody who has made a living riding the algorithmic waves of the social web. Green started his YouTube channel, Vlogbrothers, with his brother, John, back in 2007, and they now have more than 4 million subscribers.
Some generations get a nationally televised car chase featuring O. J. Simpson fleeing police in a white Bronco. Others get the communal adrenaline rush of frantically “CTRL-F”-ing a House Oversight Committee trove of Jeffrey Epstein’s emails.
Yesterday, lawmakers released more than 20,000 pages of documents related to Epstein, including thousands of emails between him and his powerful contacts in the government, Silicon Valley, and the British royalty.
The prompts read like tiny, abstract poems.
“A brutal storm off the coastal cliff. The clouds are formed into tubular formations and lightning strikes are never ending.”
I scroll; another appears:
“A male figure formed of gentle fire, his outline glowing with soft embers, approaches a female figure shaped from flowing water, her form glistening with ripples and fine mist. They move toward one another with calm grace, meeting in a warm embrace.
If you measure only in dollars (and not in dignity), YouTube got a pretty good deal. This week, the Google-owned platform paid $24.5 million to settle a lawsuit brought by President Donald Trump after the company suspended his channel six days after the January 6 riot at the Capitol. At the time, YouTube said it was “concerned about the ongoing potential for violence.” (Trump’s account was eventually reinstated in March 2023.
Arguably the most remarkable aspect of the aftermath of the right-wing activist Charlie Kirk’s assassination is how irrelevant its actual perpetrator was to the immediate discourse. I saw the finger-pointing online even before I saw the news that Kirk had been shot. At that point, there was hardly any information about the incident—let alone details about the shooter or a motive.
Looking back, I don’t know what exactly I was expecting when I opened “Request No. 1,” the PDF file containing the contents of Jeffrey Epstein’s 50th-birthday book. Ghislaine Maxwell, Epstein’s former girlfriend and co-conspirator, created the book in 2003 by soliciting tributes from the financier’s friends and associates. Given the crimes Epstein was convicted of, I steeled myself before scrolling. Somehow, my internet-addled imagination failed me. This book is a nightmare.
Last week, a 23-year-old opened fire outside a church at a Minneapolis Catholic school, killing two children and injuring 19 other people before dying by suicide. Just a few hours later, the shooter’s YouTube videos began to circulate online. In one, the shooter shows off an arsenal of weapons and ammunition laid out on a bed. The killer laughs and offers a stream-of-consciousness monologue. “I didn’t ask for life,” they say, the camera focused on the shooter’s vape. “You didn’t ask for death.
It is a Monday afternoon in August, and I am on the internet watching a former cable-news anchor interview a dead teenager on Substack. This dead teenager—Joaquin Oliver, killed in the mass shooting at Marjory Stoneman Douglas High School, in Parkland, Florida—has been reanimated by generative AI, his voice and dialogue modeled on snippets of his writing and home-video footage.
Sydney Sweeney is inexplicably reclining and also buttoning up her jeans. She’s wearing a jacket with nothing underneath. She’s attempting to sell some denim to women, and appears to be writhing while doing so. In a breathy voice, the actor recites the following ad copy as the camera pans up her body: “Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color.
Summer weekends in America are good for lots of things: baseball games, cookouts, farmers’ markets, sipping a bev next to a lake. Or, if you’re President Donald Trump: crashing out on social media in hopes of distracting the nation from nonstop coverage of his long friendship with Jeffrey Epstein.
Trump is an inveterate poster, known for his erratic style and late-night tirades.